5 easy Product Photography Lighting Tips from a Chicago Product Photographer

As a product photographer, one thing I can confidently say:

Great product photography isn’t about the camera. It’s about the light.

Lighting defines texture, controls reflections, shapes dimension, and ultimately determines whether a product looks premium or average. In commercial product photography, especially here in Chicago where brands range from CPG startups to established beverage companies, lighting precision makes all the difference.

Here are practical lighting tips I use in my Chicago studio for clean, commercial-ready results.

Capri Sun juice pouch sitting in a cherry red environment surrounded by nostalgia toys from the 90's including a red pixar style lamp.

In professional product photography, control is everything. Photo shot for commercial client, Capri Sun.

  1. Shape the light, don’t just add more!

Using flags, grids, diffusion, and negative fill allows you to:

  • Sculpt highlights

  • Protect shadows

  • Define edges

  • Maintain label clarity

A simple softbox gives exposure.
Shaped light gives dimension.

That’s what separates amateur work from professional Chicago commercial product photography.

2. Light for Texture, Not Just Brightness

Texture sells product.

If you’re shooting:

  • A cold beverage → emphasize condensation

  • A matte label → control glare

  • A metallic can → shape clean highlights

  • Food packaging → define surface depth

Side lighting or slightly backlit setups often reveal more texture than flat front lighting.

Ask yourself:
Where should the light fall to make this feel tactile?

Can of tepache from the brand De La Calle.  a fermented pineapple beverage of mexico. The can is surrounded by flavor cues of fruit and spice sitting on a wood surface.  The can has condensation and a lime with a small drip.

Flavor cues should always look fresh and not overly stylized. We want food to feel natural, it should be simple, straightforward with all of the ingredients and textures visible.

4. Recreate Natural Light in Studio using flash

Natural light looks great — until it shifts.

In commercial production, consistency matters.

Using shaped flash lighting allows you to:

  • Mimic window light

  • Control direction and softness

  • Repeat setups across shoot days

  • Stay on schedule

The goal isn’t to look “lit.”

The goal is to look effortless. Using a flash head, turn the model light on and imagine for a moment it is the sun. Where does sunlight look its best? Straight overhead? Backlit? Side lit? Experiment with the light until you find the right direction, then you can dial in exposure once you’re happy with the direction.

Cans of adaptogen sparkling beverage.  Green, pink, salmon and orange sitting on a marble surface.  The green can is slightly tipped off the edge and the liquid on the can is foaming and splashing.

Playful product shot for hey well caffeinated sparkling adaptogen beverage.

Use a tripod and Capture Elements Separately for Flexibility in Retouching.

In commercial product photography, flexibility in post-production is key.

Consider shooting:

  • Clean hero product

  • Separate splash or drip elements

  • Condensation layers

  • Background plates

This gives you:

  • More retouching control

  • Cleaner composites

  • Greater creative flexibility

Believability comes from real interaction, even if final assembly happens in post. Retouching is so important when it comes to building an image.

Can of olipop vintage cola being poured into a glass with ice.  The glass is sitting on a wooden side table with a container of pens and pencils. The hand holding the can is a ladies hand with pink nails.

Adding in the human element to a product shot lets the viewer put themselves in the environment.

Final Thoughts

Strong product photography lighting isn’t about tricks.

It’s about intention.

When light is shaped, controlled, and aligned with the brand story, the product feels elevated — not just documented.

Because in commercial photography, light isn’t decoration.

It’s structure.

If you have questions about product photography or are running into problems, please feel free to reach out here!

Man wearing a black denim shirt and green glasses, short black hair and black and grey facial hair.

About Ryan

Food photography isn’t just captured, it’s felt. In a world where visuals are everywhere, reliability isn’t about style, it’s about intention, consistency and understanding.
I grew up in kitchens, watching a chef work and learning how passion directly translates to the plate.
That foundation shapes how I approach commercial photography and motion for food and beverage brands.

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